Your AI track is almost there. DeArtifact finishes the job.

Both. Use it on a complete Suno or Udio mix, or on a single stem from Demucs or any other separator: vocals, drums or bass. It handles mono and stereo, and both channels are corrected together so your stereo image stays put.

All of them. DeArtifact processes the audio itself, so it works on tracks from Suno, Udio, Stable Audio, MusicGen, ElevenLabs Music and any other generator, as well as stems from Demucs or another separator. Export a WAV or load the track in your DAW and put the plugin on it.

No. DeArtifact comes as a VST3 plugin for your DAW and as a Standalone app that runs on its own. It supports Windows, macOS and Linux, and AU is also available on macOS.

Free gives you the VST3 plugin and Standalone app with every feature, but exports are restricted, so you can hear what it does on your own tracks first. Pro removes all restrictions and includes free updates for life. Pro is $29 at the launch price, which runs until 22 November 2026. After that it goes to $49.

It’s a repair tool, not magic. DeArtifact reduces shimmer, soft transients and bleed, but it can’t restore detail that was never there. Use the latency-matched bypass to A/B your track and judge the result for yourself.

Export your track as a WAV, put DeArtifact on it as a VST3 plugin in your DAW (or open it in the Standalone app), and turn up Phase for shimmer, Transient for soft hits and Bleed for leakage between sources. Use the latency-matched bypass to compare as you go. It works the same way on Udio and other generators, and it can’t restore detail that was never there.

AI music often sounds metallic, tinny or watery when the high frequencies flutter from one moment to the next, which real recordings rarely do. The Phase control targets those isolated spikes and that flutter while leaving stable notes and harmonics alone, so the tone stays yours.

Generated tracks often feel compressed and flat because kicks, snares and plucks lose their attack and sit back in the mix. Transient brings the attack back without squashing sustain. It can’t undo lossy encoding or put back dynamics that aren’t in the file, so treat it as a repair step before your own mixing and mastering.

Robotic-sounding AI vocals are often a mix of flutter and fizz in the high end, soft consonants and bleed from other sources. Phase and Transient reduce the first two, and Bleed helps on separated vocal stems. DeArtifact isn’t a pitch or voice-editing tool, so a vocal that is robotic by nature may still need a different generation or manual editing.

Yes, where the problem is artifacts in the audio. DeArtifact processes the audio itself, so it doesn’t matter which Suno version, Udio model or other generator made the track. It reduces shimmer, soft attacks and bleed. It can’t turn a weak arrangement or a poor generation into a good one.

DeArtifact works as a Udio artifact removal tool in the same way as for Suno: load the track or a stem, reduce shimmer with Phase, restore punch with Transient and clean leakage with Bleed, then use the bypass to check the result.

Yes. It works on the audio, so it handles ElevenLabs Music, Stable Audio, MusicGen and any other generator in the same way, with the same three controls. Results depend on the track, so use the bypass to judge for yourself.

Split your track into stems with the generator’s own stem export, Demucs or another separator, put the stems on separate tracks and add DeArtifact to each one. Use Bleed on stems with leakage (a hi-hat in the vocal, vocal haze in the drums), Transient on drums and plucks and Phase on vocals and cymbals. Suno stems cleanup works best when each stem gets its own settings.

Not in the general sense. It isn’t a broadband de-noiser. It targets the shimmer, birdie spikes and flutter that are specific to AI-generated audio, including AI vocals. For hiss or room noise, use a dedicated de-noiser alongside it.

Neither exactly. It’s a repair plugin that goes before mastering: fix the artifacts first, then EQ, compress and limit as usual. It also isn’t a manual spectral editor, because you don’t paint over a spectrogram. The controls find the AI-specific marks for you.

DeArtifact has a free version with every feature (exports are restricted), built for the problems AI music has. It isn’t a replacement for RX as a general restoration suite, and it isn’t affiliated with iZotope. If your problem is shimmer, soft attacks and bleed from Suno, Udio or a similar generator, the free version lets you test it on your own track.

Repair first, then mix and master. Put DeArtifact early in the chain to deal with shimmer, soft attacks and bleed, then EQ, compress and limit as you would for any track. Leave a few dB of headroom before the limiter and check the result on headphones and on a phone speaker.

Spotify doesn’t take direct uploads, so you go through a distributor. Deliver a lossless WAV, leave true-peak headroom (around −1 dBTP) and don’t clip. Spotify adjusts playback loudness, so you don’t need to master as loud as possible. Also check your Suno or Udio plan’s commercial-use terms and your distributor’s rules on AI-generated music.

It improves the specific things that make AI music sound artificial: shimmer, soft attacks and bleed. That helps a track sound more natural, but it isn’t a cure-all. Arrangement, mix and mastering still matter, which is why the workflow above puts repair first and mastering last.